Virginia Ann and Cal outside the hotel on our last day in India
A long ride early in the morning
In Mahabalipuram.
we met our guide, Delish and toured the Shore Temple - 8th Century AD
during the Pallava Dynasty
We toured another Unesco site, an 8th Century structure. This is a harbor town and very close
to the water's edge. Fishermen used to say they could see other temples below the water.
This is now an archaeological site and the first structural temple in India. This site was
compared to Angor Watt in Asia. The temple without the structures is pre-historic.
At the time the temple was built the area was a thriving port, and the sailors would use the
temples before heading out to sea and when they returned. There were docks right at the
temple's edge.
Marco Polo and the European merchants that came to Asia after him called the site Seven Pagodas.
One of these is believed to be the Shore Temple. The temple probably acted as a landmark for
navigation of their ships. As it appears like a Pagoda, the name became familiar to the seafarers.
A monolith sculpture of a partly carved and partly sculpted lion with a hole in its torso is
erected within the compound wall of the temple complex. A miniature image of Durga is
sculpted on the back of the image, which is a depiction of Durga as Mahishasurmardini.
The open mouth of the lion is inferred as a representation of its role as the favourite mount
of Durga. A female guardian with a bow is also carved on the leg of the lion.
Romans used to come to Pondicherry and from here another 2-hour ride to Kanchi Puram.
Cave rock temples surround the big temple.
The salt in the ocean has washed away many of the details carved in the stone.
We could see a sacrificial place where antelope were sacrificed at the base of an idol.
The Shore Temples configuration is of the two Shiva shrines with the small Vishnu shrine in
between illustrates an attempt to balance the different, competing religious
requirements.
Women pilgrims from all over India see the ocean for the first time and wade in.
Nandi is represented all over the area - as Shiva's transport.
A whole row of Nandi weathered by the elements.
The smaller rear temple contains a relief carving over a black stone. The front of the temple
is missing as this would have been well inside the temple originally.
A lone rock sitting a way from the Shore Temple
Detail of the weathered temple carvings.
A very weathered Ganesha
The sanctum of the larger temple.
The Lotus symbol is considered auspicious for Hindus, Buddhists, and Jain religions. The numbers: 3, 5, and 7 are
important in architecture.
Micah stone is embedded in the temple structure so when light shines on the temple, the micah stones reflect the
light.
The carving of the wild boar is considered the third reincarnation of Siva.
A small reservoir with an idol with a fishtail.
We drove a short way to the Ratha Temples.
The artists used naturally occurring blocks of diorite and granite in sand, carving
legends in stone. The best-known are the five monolithic structures projecting above the beach,
known as the Five Rathas or the Pandava Rathas
This lion is one of the sculptures created out of a single rock.
The temples may have been trials for creating other temples as they are not finished.
Stone carvings cover the temples
Inside one of the temples was this very well preserved carving.
7th century bull sculpture near a ratha.
The upper floors of two of the rathas (temples).
Nakula Sahadeva Ratha and its standing elephant - virtually impossible to get
a picture without a tourist.
Five monuments are carved on the site which began in 630 AD and work continued for 60 years and
the site is still unfinished today. The carving started at the top and then worked its way down.
The rock reliefs date back to the 7th Century AD
This is Bhima Ratha. Its incomplete interior was probably intended to house a reclining Vishnu.
Unlike the other rathas, the temple has no inscriptions or sculptures. This woman stopped sweeping
to pose for the picture.
This Dharmaraja Ratha - cut out of a rock - which is just amazing to consider. Basically the rock
was removed to reveal a temple. The temple is incomplete.
It is the tallest of the rock carvings with a height of 35 feet
Krishna carving is a complicated cave, with large panels depicting Hindu mythology and the
culture of 7th-century Tamil Nadu.
The walls of the pillared hall depict village life woven into the story of Krishna. Krishna holds
Goverdhana Mountain, under which there are people, cattle, and other animals, in one section.
In another section, a young man holds the hands of his beloved and pulls her in the
direction he is going.
A stone carving on the pillars of Krishna mandapa
Descent of the Ganges is a 96 by 43 feet
open-air rock relief carved on two monolithic pink granite boulders.
Many of the figures carved are life-size.
The legend depicted in the relief is the story of the descent of the sacred
river Ganges to earth from the heavens led by Bhagiratha.
The relief contains over a hundred figures
Figures in the cleft in the rock are covered with nagas (serpent deities), in anjali posture.
In one interpretation, a figure in the relief who is standing on one leg, is said to be
Arjuna performing an austerity Tapas to receive a gift from Shiva as an aid in fighting
the Mahabharata war. The gift, which Arjuna is said to have received, was called
Pasupata, Shiva's most powerful weapon.
The elephants shown in relief are unique in the fact that the detailing includes the baby
elephants behind the life-size elephants.
The elephants represent a herd moving towards the river to drink water. The male elephant
carving precedes that of its female partner. There are all several little elephants around
the adults.
Virginia Ann and Cal at lunch on the beach with the Bay of Bengal in the background. Another
fantastic seafood meal at the Taj Fisherman's Cove resort and the Bay View restaurant.
Traveling to India is about getting out of your comfort zone. It transcends you from the expected and predictable
to the
unexpected and beyond imagination. It is a spiritual awakening that opens the mind and soul to other faiths and
beliefs.
It is a personal transformation in which you learn more about yourself, your partner, and the people you encounter
along the way.
As we pose outside the airport with Sandosh, it is a tearful goodbye. He has been with us for most of this trip
and is a
fantastic guide as well as a safe driver in the sheer craziness of India's traffic. From herds of goats on the
road, to camels,
Tuk Tuks, and mopeds -- we saw it all!
As they say, "all good things must come to an end," and we are grateful for the incredible sights, prayerful
sounds, and vivid
colors we saw along the way.
We give thanks to all we encountered, for sharing your special place, for opening your hearts to us, and for
making this journey
incredibly memorable and one we hold dear forever.