Another day in Venice. It started with a walk to Ca' Rezzonico. Which
was the first walk on which we actually got lost. So we were able to see a few more
canals than planned. Here is one...
Inside the Ca' Rezzonico. The sumptuous palace, which took its name and
luster from the Rezzonico family, was built in 1649 by Baldassarre Longhena and
completed in 1750 by Giorgio Massari. Its character as an aristocratic 18th
century home was refurnished by the Venice Municipality from 1935 with valuable
collections of furniture, hangings, sculpture and paintings from the Correr Museum.
One of the ceiling paintings which were just as beautiful in each room.
Back to the Gran Canal to ride a bus to the next church. This is looking down
a connecting canal.
On the left is the Scuola Grande di S. Rocco. This school was built in the 1515
and became famous because of
the Tintoretto's paintings that remained here for more than twenty years and that
represented the masterpieces of Venetian painting between the Renaissance and
Mannerism. Displayed are works by Giorgione, Tiziano e Tiepolo.
On the right is the Church of San Rocco which was begun in 1489
and consecrated in 1508.
Facade was built from 1765 to 1771 and appears in
keeping with the Renaissance architecture of the adjoining Scuola Grande.
Almost all the statues on the facade are by sculptor G. Marchiori.
Near the Church of San Rocco was this sign post with the little statue.
Between the Church of San Rocco and Church Santa Maria Gloriosa dei Frari is a pretty
courtyard.
Inside the Church Santa Maria Gloriosa dei Frari.
Francescan friars got the land in 1250 by doge Jacopo Tiepolo and immediately
built a little church with an opposite orientation compared to the modern one.
The current version of Santa Maria Gloriosa dei Frari dates back to the middle
of the fourteenth century.
Interior has three naves with a Latin cross plan and keeps
important masterpieces of Venetian art.
On the main altar of Church Santa Maria Gloriosa dei Frari is L'Assunta by Tiziano
Santa Maria del Rosario, the largest monastic complex of the 18th century, was built
between 1726 and 1735 for the Dominican order, to replace the small church that still
stands alongside, that was no longer big enough to hold the faithful.
The Dominicans took over from the Jesuates in 1668, when the Jesuate order was suppressed.
We needed to take a water bus to the Church San Giorgio as it is on an island.
It is an impressive Venetian building by Andrea Palladio.
The first stone was laid down in 1566.
The facade owns clear classical elements as the Corinthian columns.
The subdivision of the
facade reflects the internal three naves surmounted by the big dome at the crossing of
the Latin Cross plan's axes. A wide barrel vault of the ceiling is held up with
composed pillars.
From the bell tower of Santa Maria del Rosario you have a classic shot
of St Mark's.
Our next stop will be the bell tower in St Mark's looking back this way.
While returning to St Mark's square we walked past the Bridge or Sighs.
Now up in the bell tower of St Mark's a view out over Venice. Notice there are no
visible streets.
From up here you can see the tip of land at the end of the Gran Canal and
the Church of Madonna Della Salute.
A view down on the plaza of St Mark's from the bell tower.
In 1723 the bricks were replaced with a more complex geometrical pavement
design composed of a field of dark-colored igneous trachyte with geometrical
designs executed in white Istrian stone, similar to travertine.
From the bell tower looking back where we just came from - Santa Maria del Rosario.
You can see the island from here.
Another interesting shot down on the plaza looking at cafe tables.
This is the oldest of the buildings in the plaza, the Procuratie Vecchie on the north side of the
Square, built as a two-story structure in the 12th century, to house the
offices and apartments of the tax collectors. They were rebuilt after a fire in the
16th century to a three-storey design by Codussi which still shows something
of its Gothic roots.
Back down in the square the birds entertained those brave enough to pass out food.
Finally, we get to the church at the end of the Gran Canal the Church of
Madonna Della Salute. Amazing that people had to pull their boats right
up to the steps of the church.
In 1630-31 Venice was devastated by a plague that exterminated 95.000 of the
lagoon's population. In October 1630 the Senate decreed that a new church would
be dedicated to Mary if the city were saved and the result was the Salute church
(salute="salvation, health").
The Madona della Salute is built on a platform of more than 100.000 wooden
piles and the church took half a century to build.
A few decades after the church was finished Francesco Morosini brought from
Candia the painting of a Madonna dating from 1200 which, by decree of the Senate
on 21 November 1670, was set on the high altar. The Signoria processed from San
Marco to the Salute, crossing the Canal Grande on a pontoon bridge laid from Santa
Maria del Giglio.
From that 21 November the Madonna was known as the Madonna della Salute
(Our Lady of Good Health). Since then the votive visit to the church is held
annually on this date.
At the end of the day we needed to pick up our extra luggage at the train station. We
had dropped them off when we arrived so we did not have to carry as many bags to the
hotel.
This was in a series of shots from the water bus to the train station.
Thought the red and white poles were so attractive.
Another view of Venice from the Gran Canal.
The gondola rides started at $150. Too many tourists!!!
Our last night in Venice we had a nice romantic dinner outside.
Walking back to the hotel Cal took a few pictures of the canals at night.
Looking across the lagoon at the Church of Redentorer.